Tracking is when the camera follows the action without cutting, like following someone as they walk down the street.
Whenever you want to add one, write the actual camera motion on the storyboard. The following list is by no means exhaustive, but it is a good primer on writing coherent storyboards. X Research sourceįamiliarize yourself with camera motions to illustrate moving or changing shots.
POV Shots Are simply when the camera mimics the point of view of a character.
When drawing dialogue, two-shots often alternate with OTS shots.
Two-shot: When both characters, usually speaking to each other, are both in the frame at once.
Very common in conversations between two people.
Over the Shoulder (OTS): One of your most important terms, these shots have one person or thing on the side of the frame, back turned, while looking at another.
"Worm's Eye" and "Bird's Eye" are the extreme versions of each.
Up Shot / Down Shot: Up Shots look up at a character, while Down Shots look down from above.
Full, Medium, Close, Extreme Close: If you're showing a character, how much are you showing? Full (FS) shows the whole body, Medium (MS) shows waist up, Close (CU) shows shoulders and head, and Extreme Close Up (ECU) shoes only face.
Establishing Shots: Quick shots that illustrate the set, location, or start position of the characters.
Writing down camera angles helps camera crews quickly see what shots they must prepare for, and lets you see if you're getting accidentally repetitive with your shot choice. Don't simply rely on drawing to get your point across - the film world is full of vocabulary that makes your job easier and your storyboards more precise. Learn the terminology of common camera angles. In Willy Wonka, the famous intro where he "accidentally" trips, falls, and rolls to raucous applause was drawn up by him as a way to portray Wonka as fun, strange, and hiding behind a comic facade.
Gene Wilder wasn't a storyboarder, but he thought like a visual comedian.
X Expert Source Travis Pageīrand & Product Specialist Expert Interview.
Find the most crucial element of the scene, and find a way to draw the audience's attention to it in each shot, making it bigger, centering it, zooming into it, etc.
How can you draw attention to these things? Each scene, ask yourself what the goal of the scene is, what's the mood or tone, and what the most important props, characters, or moments are. It is your responsibility to take a good script and turn it into great visuals. Don't let the script "speak for itself " The best movies are thematically related on all levels: writing, storyboarding, sound effects, acting, etc. Find ways to express the script's themes visually.
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